It is an installation made with cardboard tubes with a metallic appearance atop a mosaic made of 96,000 wooden pieces.

During the Fallas festival in Valencia held every year the ultimate goal of these installations is to be burned to celebrate the arrival of spring.  In this context we built a structure entirely of cardboard and wood joints. The purpose was to investigate to what extent we could carry up this type of structure, and also to place in a traditional context a contemporary image to provoke the debate between tradition and modernity.

The installation represented a temple where citizens can meet and realize the power they have to change things through debate and confrontation of ideas. Hence the title Ekklesia, as this was the ancient Greek assembly that met once a year between elections to decide if someone was annoying for the polis, and if that was the case expel him from the city for ten years.

The facility was visitable and columns were screen printed with real political messages with critical messages of citizens, trying to highlight the emptiness of political discourse and the need to provide it with content to generate discussion and be owners of our future.

The stage on which the installation was settled was a mosaic of 96,000 pieces based on designs of Nolla Mosaic, a traditional Valencian ceramic that was lost in the middle of 20th century. On the one hand its function was highlight a lost heritage and to emphasize that any innovation in a traditional context should be based on a thorough knowledge of tradition.

At the same time we also wanted it to be a participatory project and therefore the completion of the mosaic was made in different workshops with children at risk of social exclusion and various neighborhood associations.

Ekklesía is an urban intervention that was held in Valencia during March 2015

The ekklesia (from Ancient Greek «ἐκκλησία ‘) was the main assembly of Athenian democracy in Ancient Greece. Ostrakon (plural, ostraka), literally piece of vessel, is the Greek term that has come down to us as the famous exile by ostracism, and it was nothing but a law allowing citizens to banish for some time political or other harmful citizens for Polis. Over the potsherds the citizens had to write the name of the politician who was a potential danger to the community. In the Athens of the V century B.C. was an important political institution, safeguarding its democratic system of government from internal enemies. To apply law of ostracism the Ekklesia gathered once a year debating whether there was sufficient  evidences to implement the ostracism, if that was the case the ostrakophoria was called , assembly where ostracism was voted. Such voting was held in the agora, with about 6,000 citizens entitled to vote. And the vote consisted in writing down on the piece of ceramic uóstrakon the name of the person that everyone thought it should be ostracized. Once the votes were counted the one with most votes was banished from Athens for 10 years, the exile was granted 10 days to prepare his departure from the Polis. The Athenian ostracism was a preventive law, which anticipated future conspiracies to establish tyranny.


During the nights an spectacle designed by LedsVisuals took place, on the Video you can see the whole show.

As a tradition in Falla’s festival the end of intervention was to be burned to celebrete arrival of spring.



Coolaborators: ARAE Patrimonio, Asociacion Cultural Falla Cronista, Retales, Josep Martí, Barret Films, Led Visuals, Ignite, Valencia Vibrant, Choreoscope, Visorifashionart

Photography and video: Noel Arraiz

Client: A.C.F. Nou Campanar

Special thanks to:

Youth Centers: Campanar, Pi Margall, Colonia San Vicente, Mariano Ribera, Viviendas tuteladas la Salle, Fundación Diagrama, Adisto, Casa Ronald, Alqueria Campanar

Alicia Peris, Anarella MartinezFerrán Martinez, Ángela López, Xavier Laumain, Roberto Heredia, Jose F. Carsí, Francesc Ribes, Dioni Sánchez, Manuel Conde, Vicente Ángel, Fernando Pérez, Miguel Arraiz Peris, Beatriz Arraiz Peris, Jose Cebriá, Jose Bravo, Antonio Rodrigo, Javier Altur, Ramón Ijarro, Manolo Moreno, Fernando Martinez, Héctor Gimeno, Sergio Bort, Carlos Ferrandis, Carlos Sancho, María Muñoz, Ángeles García, Paz García, Javier Rubio, Elena Viller, Victoria Cervera, Fran Chulvi, Nohemí Rodríguez, Xavier Serra, Leyre Ferreiro, Javier Vidal, Jose Maria Arraiz, Alicia García, Carol Entraigues, Araceli Franco, Nicola Murer, Rosa Aragonés, Chojin, Chucky, Javier Naharro, Diana Sánchez, Iván Esbrí, Alejandro Lagarda, Oscar Rodríguez, Ángel González-Rothvoss, Gabi Guiñón, Elena Pérez, Ana Reniebla, Ricardo Faus, Mercedes Vidal, Raquel Úbeda, Sergio Mora, Ricardo Ruiz, Alexandre García, Rafael Martinez, Ester Martinez, Pilar Martinez, Laura Martinez, Pepa Escrihuela, Alba Giner, Paula Bononad, Carme Martinez, María Espí, Anna Bosch, Noel Arraiz, Celi Marqués, Cesar Mora, Quique Medina, Alumnos Colegio la Purísima Valencia, Elí Gómez, Adrián Ferrer, Alberto García, Gabi Pastor, Ángel Mora, Alejandro García, Adrián Román, Carlos Martinez, Roberto Alcusa, Beatriz Ruiz, Diana Ferriol, Jorge Robles, Adrián Guijarro, Javi Soria, Patricia Moreno, Rubén Moreno, Laura Herruzo, Mariola Cubells, Anarella Martinez, Miguel Machado, Lorena Ortiz, Esther Pedrós, Loránd Janos, Mathieu Saglio, Laura Gallegos, David de Limón, Francesco Sillitti, Videofotografía Aérea, Asunción Sánchez, Rosa Aragonés, Jose Miguel Bello, Pedro López, Pablo Mezquita, Consuelo Bruna, Rosa Carrión, Sergio Gutierrez, Marcelo Viera, Andreu Signes, Dani Fabra, Vicent Peris, Dani Palau, Claudia Reig, Alex Badia, Elisa Bermejo, Joan Masià.